2025
Automated sculpture. Ten wax heads, hoovering up metaphorical resources.
SculptureVideo
Mrs Luva‑Luva
working
archive
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archive
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New experiments popped in rendomly.
☞ Tap the Head to Generate a Haiku
Atomised. Watching another world of lives being lived at the same moments. Suns rising and falling out of sync with mine. People at heightened stakes, stuck in survival mode, fallen through the cracks, no safety nets catching them on the way down. Wealthiest of nations, poorest of people. Plundering, extraction. Capital bloats. Everything consumable, everything capital. Self blame, weak will, poor character. Disposed of. Thrown to pharmaceutical wolves, picking at bones. Mad. Mad. Mad world.
// Tap Tap Tipety Tap
A woman accidentally turns herself into a homogenous lump, which is harvested by Lucky Cat to be sold at the LLM supermarket. The film playfully addresses the changing human psyche under late capitalism, where emotions are commodified as brand content, identities flatten into meme like simplifications, and our data becomes a tradable commodity.
SHOE DROP
Buy a Hand Painted Shoe · Painted by Mrs Luva-Luva (me) · one of a kind · ships worldwide
I'm selling individual hand painted shoes. As a child I would often lose one or sometimes both shoes, as well as many other things. I sometimes see single shoes stranded on the streets and wonder how they got there. These shoes are friends to all the lost shoes and other lost things out there. They will ward off losing things by mistake.
// Cordyceps
Cordyceps, 2025 · Beeswax, expanding foam · Cast from silicone mould of 3D printed Blender sculpture · 40 × 20 × 20 cm
// T-Shirts — ‘Let them Eat RAM’
Guy Standing defined the precariat as a new social class. People living without security, cycling through precarious work. While the tech elite accumulate processing power, and just power, the rest of us are told to retrain, upskill, pivot, in order to prevent economic displacement, as we’re pushed further into climate crisis. Let them eat RAM.
// all works
