2025
Automated sculpture. Ten wax heads, hoovering up metaphorical resources.
SculptureVideo
Mrs Luva‑Luva
working
archive
◆
archive
◆
New experiments popped in rendomly.
☞ Tap the Head to Generate a Haiku
Haiku Head — 2025. Blender, Substance Painter, Three.js, live video, code. A painted 3D head floats over a 24 hour live stream of Skid Row, Los Angeles. The paint is the noise: colour as distraction, surface as obstruction. The head tracks your cursor but is unable to look at the people behind it. Click to generate haikus about what it doesn't see.
// Tap Tap Tipety Tap
A woman accidentally turns herself into a homogenous lump, which is harvested by Lucky Cat to be sold at the LLM supermarket. The film playfully addresses the changing human psyche under late capitalism, where emotions are commodified as brand content, identities flatten into meme like simplifications, and our data becomes a tradable commodity.
// Stepping into the live stream
From 5:30 each Friday, March through April 2026, Me and friends will be stepping into the live feed of Coopers Townhouse, the friendliest pub in the heart of Liverpool, for a sing song, maybe a dance, and a few drinks.
😀🍷♫♪
// Cordyceps
Cordyceps, 2025 · Beeswax, expanding foam · Cast from silicone mould of 3D printed Blender sculpture · 40 × 20 × 20 cm
// T-Shirts — ‘Let them Eat RAM’
Guy Standing defined the precariat as a new social class. People living without security, cycling through precarious work. While the tech elite accumulate processing power, and just power, the rest of us are told to retrain, upskill, pivot, in order to prevent economic displacement, as we’re pushed further into climate crisis. Let them eat RAM.
// all works
