I use a variety of 3D software, 3D printing, ceramics and painting in my practice. Moving between physical and digital worlds and layering up the two. My work explores the themes of existing in states of disembodied and embodied reality. Physical entropy and decay verses a state of digital permanence. I see imperfection as a hallmark of humanity and my work is a response to the symbiotic growth of our digital selves and a cultural ideology that relentlessly drives us to seek increasingly perfect and more efficient versions of ourselves.