Working in a single form no longer feels enough to capture the fractured and accelerated world we inhabit. My practice moves restlessly between digital and physical spaces, like a bird hopping between branches. I trace how one form leaks into another through sculpture, textiles, AI video, and installation. Drawing from both craft traditions and machine intelligence, I create works that hover between human touch and algorithmic process.
The work is messy, instinctive, and self-referential, threading its own logic through apparent chaos. Childlike materials, rough textures, and playful, slapdash processes push against the sleek aesthetics of control and optimisation. Bright colours that clash and hum mirror the artificiality of the screen-based attention economy. In a world that can often feel heavy, I try to let curiosity and playfulness lead the way.
I am drawn to how technology ripples through our sense of reality, shaping how we work and how we understand ourselves. Accelerated production and fragmented attention are both symptoms and structures of modern life. My work emerges from this condition, where the physical and the virtual loop endlessly through one another.
The name Mrs Luva Luva reflects this sensibility. It is a critique of lost digital freedoms and a study of our shifting, more malleable identities, but also a personal experiment in play, resisting fixed identity and insisting that privacy remain a choice. In an era of constant visibility, and increased surveillance, I ask whether we can still hold something back, choosing what we share of ourselves as an act of agency in a culture that treats selfhood as public property.